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DXARTS 202: FUNDAMENTALS OF DIGITAL AND EXPERIMENTAL ART

M-W 1:30-3:20, Raitt 105
Instructors:
Noel Paul, noelpaul@u.washington.edu
Allison Kudla , allisonx@u.washington.edu
Office hours - by appointment

SYLLABUS

Please note that this site is a living document and subject to modification as the course progresses.

DESCRIPTION

This foundations level experimental art course introduces students to the principles of digital media creation through a combination of lectures, practical assignments, studio seminars, lab sessions, and development of a culminating final project.

Digital media art has been practiced and theorized within frameworks of more traditional media, such as television, avant-garde art, and fluxus art. However, the understanding of what is radically new about digital media often eludes such frameworks, because digital media challenges many of the paradigms that these frameworks are built upon. The need for an original framework that emerges from digital media is imperative for a new medium.

This course will focus on core intentional or inherent aspects of technology based art. Some of these aspects are properties unique to digital media such as dynamic data, interactivity, or networking. Other aspects are subjects commonly taken up in the creation of digital art, such as telematic space, the architecture of time, the body and identity, decentralized authorship, or the extended social life of digital art. This class will introduce core conceptual foundations and technical skills intrinsic to digital media in the generative and investigative context of a 10-week art making process.

 

COURSE GOALS

  • Creation of an experimental art work.
  • Utilization of intermediate techniques for digital art production.
  • Exploration of digital and experimental theory and art works in the context of creative process.
  • Integration of aesthetic ideas, historical influences, cultural references, and theoretical frameworks in conceptualization and execution of artwork.
  • Build collaborative community among new DXARTS majors.

STUDENT RESPONSIBILITIES AND REQUIREMENTS

  • Attend lectures, workshops, labs and critiques
  • Participate in discussions
  • Complete all projects, readings and assignments.
  • Complete smaller research and reading assignments following the concepts, methods or techniques discussed in class, as relevant to your project.
  • Document and archive all work thoroughly
  • Taking notes in class is encouraged and will help you remember what you've learned when you are working on your own time.Please do not read email or surf the web during lectures and discussions - it's distracting to all of us!

REQUIRED READING

All readings will be posted online. This list is subject to change.

 

EVALUATION

  • Quality of ideas, execution of those ideas, and ability to articulate your thought processes and strategies.
  • Willingness to explore, experiment, and take genuine artistic chances in your work.
  • Amount of time spent and depth of engagement.

Grade Breakdown:

  • Project Proposal - 10%
  • Timeline - 10%
  • Milestone 1- 10%
  • Milestone 2- 10%
  • Milestone 3- 10%
  • Milestone 4- 10%
  • Final Project - 20%
  • Participation - 20%

POLICIES

  • No smoking in the classroom or building. No eating, or drinking in the lab.
  • You are responsible for your data! Back it up, store it in multiple locations, burn it to a disk, do whatever you have to do to ensure it's integrity.
  • If you have a disability that you think may impact your participation in this class, please contact Disabled Student Services. Every effort will be made to accommodate your needs.
  • The telephones in all DXARTS/CARTAH facilities may not be used for personal calls of any kind. Telephones may be used by students and other unauthorized personnel ONLY for emergencies. Any use of the telephones for any other purpose may result in the loss of access to the facilities.
  • USE OF ELECTRICITY: Some exercises in this course deal with discussions and concepts that can use electricity or electronics as possible components in there solution. Though some basic background is given in relationship to the safe and effective use of electronics in art, this is not an electrical engineering course and the University and instructor assume no liability in its use by students. This course assumes students involved in the use and fabrication of electrical and electronic components in their work have familiarity or prior knowledge in using electricity. It is assumed students will always use the best judgment possible and will never attempt electrical work that is beyond the scope of their technical expertise or understanding. Students assume all liability in its use, and are entirely responsible and culpable for using electricity safely.

 

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